– Igor, you are a professional actor. But your song "Combine" written and sung so it is for certain, if you do not know firsthand about the everyday life of the combine. You’re so tightly accustomed to the role that the song was born, or knew all the hardships and privations of their lives?
Combine – this is my summer circle. Was all life and remains. My cousin Vasily Kotlyarov that we are the same age, with 14 years as a combiner. The photograph of his father, uncle Tolya, hung on the honor roll in Rakovka – he has been repeatedly recognized "best combiner farm Covenants Lenin". In General, the hardships of life combiner I knew six years. Uncle Tolia often took his brother for cleaning, and I also sometimes asked to go with them. But combine from me in six years was useless: after an hour I became uncomfortable. It was hot and dusty, and me a car passing by was sent to Rakovka to grandma Masha, where there were no dusty cabs of combines, but there were dumplings with cherry and sour milk with sugar. Also, I failed propolice watermelons. Continue reading
Experience of comprehension of musical style dates back several centuries, however, the scope and content of this concept, functions, denoted phenomena remain poorly understood, and therefore — discussion. The paradox was­can state that there are a lot of publications, with those or other positions examines this phenomenon, and only a few works devoted to the actual theoretical and practical­ical aspects of its study [5; 13—16; 18; 19; 21].
The notion of musical style allows many interpret the data a transponder­Tatsiy. In its definition, difficulties may arise due to a number of reasons. One of them — terminological confusion, since any manifestation of style may be interpreted in different ways. The contradictory judgments, ambiguity of terms and synonymist symbols are a hindrance to precise definitions, and indicate uncertainty or lack of clarity of the concept . Another reason lies in the disagreements concerning the periodization of musical-historical process and classification of artistic phenomena.
In the history of science there are similar cases in the framework of the same theory coexist different, but legitimate, from her point of view, approval. This proves the shortcomings of this theory, it is not surprising that the discovery of paradoxes stimulates scientific activity and leads to transformation. These are, for example, the paradoxes of systemic signs — failures related to the explanation of the proportion of the whole and its parts in biology that contribute to re-orienting the search for new approaches in the context of universal evolutionism. Continue reading
When I met American drummer Gregg Bandana, we knew about him is that he played and recorded with the famous avant-garde artist and innovator of jazz pianist Cecil Taylor, the same man who was turned into a cymbal orchestra of any tool. It was a unique case in the history of jazz: the great pianist has included in its album of the works of another artist and allowed him to play solos in two songs. But this glorious episode in the history of jazz has its own prehistory.
Gregg Bendian was born in 1963 in new Jersey. In the family music sounded all day: parents Gregg Martin and Patricia listened to everything from Tchaikovsky to Sinatra and the Beatles to miles Davis. This could not affect future preferences Gregg. Luckily for him, the school where he studied, was developed system of art education, and the boy opened up a new world of music.
When I met American drummer Gregg Bandana, we knew about him is that he played and recorded with the famous avant-garde artist and innovator of jazz pianist Cecil Taylor, the same man who was turned into a cymbal orchestra of any tool. It was a unique case in the history of jazz: the great pianist has included in its album of the works of another artist and allowed him to play solos in two songs. But this glorious episode in the history of jazz has its own prehistory. Continue reading
2. Music genres. The essence of this category.
3. Musical form: definition, nature, characteristics of the structure. External and internal form of the work.
4. Form – the structure and form of the process (theory Asafiev).
1. L. A. Mazel Structure of musical works.- M. Mus. ed. 1960.- S.
2. L. A. Mazel and V. A. tsukkerman Analysis of musical works. – M. Music, b.-S.
3. German language I. V. Musical form. – M. Music, 1967.- 31 0C.
4. Yuri Tyulin Musical form.- M. “Music”, 1971.- 450C. Continue reading
What are the different styles of music? Musical style – the notion of succinct and comprehensive. It can be defined as a figure of unity, the totality of means of artistic expression and ideological content through the language of music.
The concept of style of music is so widespread that itself begs the relation: this term refers to different eras, genres, schools, and of individual composers and even performers. Let’s try to understand what are the different styles of music.
The style of the era
The concept of style of the era focuses on the historical aspect. There are many classifications, some of which highlight the major historical periods in the development of music (Renaissance, Baroque, classicism, modernity, etc.), while others are crushed history of music in a relatively small periods previously identified in other art disciplines (romanticism, impressionism, modernism, etc.).
A classic example of the style of the era is Baroque music, the characteristics of which is the interest in the inner world of the personality, the dramatic, high-contrast image of the forces of nature, the development of Opera and instrumental music (C. Monteverdi, A. Vivaldi, G. F. Handel). Continue reading