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    Symphony Shostakovich

    21Musical style and vocal distribution of roles is an Excerpt from the song “Undead”, the title song and second single from альбомаSwan Songs. The song took 11th place вAlternative Songs and one of the 10 Hot Mainstream Rock Tracks. Music Hollywood Undead is a wide variety of musical styles, mostly a mix of hip-hop with alternative rock and dance music. However, many consider them to rap rock, crunkcore or nu metal. Half of the songs on Swan Songs reflect a mixed style, while the other half showed a more heavy sound. Many critics have stated that you were confused because of the constant change in sound of music.[40] the Album American Tragedy written in the same style, but with plenty of classic rock instruments as well as synthesizers and electronic elements, and most of the tracks can be attributed more to the rap-rock than hip-hop. Most of the songs Hollywood Undead serious and pessimistic (“Paradise Lost”, “City”, “Pour Me”, “S. C. A. V. A.”), but there are also dance, suitable for execution in clubs (“No.5”, “Comin’ in Hot”, “Le Deux”), the Group stated in an interview that each team member plays their own role in the song writing and executing a passage in the compositions.[41] most of the songs are constructed in the following way: 2, 3 (rarely 4) rap verse, chorus, performed clean vocals, and the bridge is usually a mixture of both. Until 2009, the parties executed clean vocals, sang Deuce. With the release of American Tragedy, his role was assumed by Danny. Da Kurlzz usually has his passage in the song, performing the role of a screamo singer. Johnny 3 Tears and J-Dog usually sing songs, serious songs, and Charlie Scene and Funny Man in funny songs club orientation. There is a song, all the verses in which one takes the rapper: “No Other Place” (Funny Man), “Young”, “S. C. A. V. A.”, “Pour Me” (Johnny 3 Tears), “The Kids” (J-Dog), “This Love, This Hate” (Deuce), “Everywhere I Go (Charlie Scene). Only in two songs involved six members of the group: “Christmas in Hollywood” and “The Natives”. Continue reading

    241. About the concept of style. S. S. Scraper defines style as the highest kind of artistic unity. This is not the last level of unity: the unity of art style, human, stretches, as the sky above, the unity of the Divine. It outshines stylistic differences, making them irrelevant. Seediness light of divine love becomes the most important thing, eliminating any thought about eclecticism. In the Church can easily be connected to the tunes of the entire two thousand year history of the Church and of all Christian Orthodox peoples, often side by side in the same service. Where God is there is melting style.

    The music of Christian civilization… the style Category is too small for her, and cannot embrace her uniqueness. “Style is the man” (Buffon). Musical style – the pronounced worldview. Christianity is more than a worldview: it has revealed an update of the world. “God became human so that man obrilsya” is not a worldview, and ontology. Expression of the new, unheard of Genesis, the updated state of the world and became the language of music is Christian civilization. But the language that seeks to cover the Millennium, stretches its borders and even further, to the very beginning of history. As in the case of verbal language, we can speak about language universals (harmony, pitch, meter, genre universal liturgical, magical and secular intonation, tools and techniques of playing them). Continue reading