The Brothers Johnson
Funk is one of the fundamental styles in the music of the second half of the twentieth century. Is an integral part of such styles as jazz-rock . fusion . hip hop . acid jazz . jungle . disco . drum bass and many others.
Music style funk is a direct sequel to soul music. Sometimes even experts find it difficult to make a clear distinction between them.
The term soul ( soul ) was defined as a movement of American blacks in the struggle for their rights during the time of slavery in the United States. Believers American slave owners then tried to legitimize the murder of blacks, claiming that they, as animals do not have souls and therefore the First commandment of Christ is not broken. Black ideologues have made the existence of the soul niggers major moment in the struggle for survival. The result was the soul of the brotherhood. and American blacks began to call each other soul brothers or just the word soul. Continue reading
1. About the concept of style. S. S. Scraper defines style as the highest kind of artistic unity. This is not the last level of unity: the unity of art style, human, stretches, as the sky above, the unity of the Divine. It outshines stylistic differences, making them irrelevant. Seediness light of divine love becomes the most important thing, eliminating any thought about eclecticism. In the Church can easily be connected to the tunes of the entire two thousand year history of the Church and of all Christian Orthodox peoples, often side by side in the same service. Where God is there is melting style.
The music of Christian civilization… the style Category is too small for her, and cannot embrace her uniqueness. “Style is the man” (Buffon). Musical style – the pronounced worldview. Christianity is more than a worldview: it has revealed an update of the world. “God became human so that man obrilsya” is not a worldview, and ontology. Expression of the new, unheard of Genesis, the updated state of the world and became the language of music is Christian civilization. But the language that seeks to cover the Millennium, stretches its borders and even further, to the very beginning of history. As in the case of verbal language, we can speak about language universals (harmony, pitch, meter, genre universal liturgical, magical and secular intonation, tools and techniques of playing them). Continue reading